Leah Gustafson, Chris Carter, Susan Fuller, Leah Barclay and Charles Dacosta Part of CW18
The complexity of soundscapes is difficult to express to general audiences, and the most common ways of visualising the audio generated from the acoustic data of a soundscape recording are difficult for the lay audience to interpret. The creative work “Wild Soundscapes” experiments with the use of 360° video in a mixed reality (MR) environment as a backdrop for visualising soundscapes.